competitive experiences

It is hard for me to identify exact corollary experiences to analyze since I am uncertain as to what my final solution will be. Below are a few similar experiences that I have identified as related to my intended area of focus. This list will change and grow as I refine my solution space, and only reflects a small portion of the many competitive experiences I have researched.

paint-your-own pottery studios

overview
These studios attract adults and children to create pottery of their own design. Painters apply surface design to pre-formed bisque pottery with underglazes and then leave the pieces to be glazed and fired by studio staff. The resulting pieces can be functional since they are food, dishwasher and microwave-safe, but there are also knick-knacks/figurines available, including a recently discovered ceramic bust of Barack Obama.

experience
Customers pay a studio fee to cover the cost of glazes and firing in addition to the price of the piece. This typically covers 2 hours of studio time, so there is some element of a time constraint, although people can always stay longer (and pay more) or come back another time to finish. In addition to a time constraint, the form of the pieces is predetermined, so creativity is limited to the type of the piece selected. Paint-your-own pottery studios are typically warm and cozy (with kilns running) and can smell odd (the scents of kilns running and the glazes themselves). The experience is also very visual and tactile for the participant, which is an expected part of the activity.

Rock Paper Scissors Collective

 Overview
An Oakland non-profit that provides: "an accessible space that offers free and low-cost classes, curated and open submission art shows, the retail of independently made clothing/craft/zines/music, a drop in arts lab, community events space, and youth involvement" (http://rpscollective.com/mission). This organization provides numerous classes in printmaking, sewing, writer's support groups and bicycle maintenance. To become an official member of the collective, one must first volunteer as workers in the space for 6 months, participate in a project, and then get voted on by the core membership.

Experience
The storefront space is multi-purpose: it is used as a gallery, workspace and venue.  Although classes tend to be very casual and somewhat small, the space faces out onto a busy street, so it does not feel particularly intimate. There is also a store in part of the space, so there is disruptive foot traffic during some of the daytime classes. Anyone can sign up for a class or attend a public event, and they are typically free or very low cost. The space itself has a very grungy, raw appearance and all furnishings and tools look well-used.

Continuing Education/Adult Learning Classes

Overview
There are numerous courses available which cover virtually any medium, but they tend to be somewhat expensive and time-consuming. These can be at many different venues, ranging from a place like the Rock Paper Scissors Collective (described above) or a large university.

Experience
In addition to being potentially cost-prohibitive, scheduling becomes an issue for many students. Art and/or craft-related courses tend to meet for 3 hours a week, which for some may be impossible to attend due to scheduling conflicts. The experience can be very fulfilling, and a community may form as a result. However, if students are simply taking courses piecemeal, they may only form tenuous relationships with professors and classmates. The sensorial nature of the experience depends on the type of class taken, but could be very rich. For example an oil painting class could be full of toxic-smelling fumes, bright colors and variable texture, while a pottery class may be a very intense touch-based experience.